In a full and exciting 2025/26 season, acclaimed mezzo-soprano Marta Wryk continues to build her reputation as an artist of exceptional expressive range and magnetic stage presence. At Theater Bielefeld, where she is a member of the ensemble, she appears as Mrs. Sedley in Matthew Wild’s acclaimed new production of Peter Grimes, as Lucia in Rossini’s La gazza ladra, and as Amando in Ligeti’s Le grand macabre.

Key concert engagements this season include a return to the Düsseldorf Tonhalle with the Notabu Ensemble for Luciano Berio’s Folk Songs, the role of “T” in Enno Poppe’s cutting-edge contemporary opera IQ at the Opera Rara Festival in Cracow, and a New Year’s Concert with the Bielefelder Philharmoniker in the Rudolf-Oetker-Halle.

Her much-praised recital project Mothers. Lovers. Revolutionists. Portraits of Female Composers, created with pianist Sina Kloke, continues its successful tour with appearances at the WarszeMuzik Festival in Warsaw, Santa Clara Keller in Cologne, and Theater Schweinfurt. Wryk’s interdisciplinary production Das moderne Mädel. A HERstory of Polish and German Women in the Interwar Period, which she conceived and produced, will be presented at Forum Freies Theater Düsseldorf.

Previously, her career has taken her to many of the world’s leading halls and festivals, including the Concertgebouw Amsterdam, Kölner Philharmonie, Symphony Space New York, Luxembourg Philharmonie, Düsseldorf Tonhalle, the Concert Hall of the Polish National Radio Symphony Orchestra in Katowice, Muziekcentrum De Bijloke, Filharmonia Krakowska, Filharmonia Gorzowska, Oper Köln, Staatstheater Hannover, Hessisches Staatstheater Wiesbaden, Theater Bonn, Theater Wuppertal, the Bach Festival in Świdnica, Caramoor and Chautauqua Festivals in New York, Maifestspiele Wiesbaden, Sinfonia en Périgord Festival, Mozart Festival Warsaw, WarszeMuzik Festival, and the Warszawa Singers Festival.

Having performed over forty operatic roles across Europe and the United States, Wryk is recognized not only for her artistic excellence but also for her visionary approach to creative education. A passionate advocate for the transformative power of the arts, she leads creativity and improvisation workshops for institutions including Oper Bonn, BTVN 2020, the European University Alliance for Global Health, and the National Children’s Fund—empowering others to rediscover their artistic voice and expand the role of art in civil society.